Xiaoyu can also be immature and childish, evident in the Tekken 6 Scenario Campaign. She is caring and compassionate, and is aware of Jin's more self-destructive tendencies, with one of her endings featuring a dream of hers where she talks Jin out of jumping off a building before being hugged by him. Believing he is good and that he can still be saved, she does not suspect in any way the demonic part of her friend. Her innocent naivety is also shown in her Tekken 7 ending, where she seems oblivious to Claudio's hidden agenda after he allows her to follow him in finding Jin.ĭespite her ingenuousness, Xiaoyu also displays a great deal of strength and determination when it comes to doing anything to save Jin. She even decides to go back in time with the help of a time machine in order to try and change the tragic story of the Mishima family, and this is her main motivation to participate in the fifth tournament.
Her naivety is also shown when it comes to Heihachi Mishima since she has absolutely no awareness of his devious plans and even weeps for him after his apparent death in after the fourth tournament. She enters her first tournament with the sole purpose of building her own amusement park, and this becomes a recurring theme in her endings. Her most notable traits are her naivety and determination. Xiaoyu is an innocent and cheerful girl whose story is linked to Jin Kazama, her friend who has fallen into evil. However, in subsequent games of the series, Xiaoyu became more focused on the Mishima family's issues, in particular those of Jin.
#The 5th wave game series#
Her main goal throughout most of the series is, through fighting in the tournaments, to win so she can earn enough money to build her own amusement or theme park. He was so impressed by her audacity that he took her on as a ward of the Mishima Zaibatsu and enrolled her in Mishima Polytechnical School, where she would become friends with classmate Jin Kazama. Xiaoyu ran away from her parents and stowed away on a ship in order to demand that Heihachi Mishima build her a theme park. Xiaoyu's fighting style was brought on with some influence from her Chinese master, Wang Jinrei. Ling Xiaoyu (Chinese: 凌曉雨 Líng Xiǎoyǔ Japanese: リン・シャオユウ Rin Shaoyū It may be written with given name first as Xiaoyu Ling) is a fictional character who was introduced to the Tekken franchise in Tekken 3 and has returned in every subsequent release. But the differences between the two novels-turned-films reveal that The 5th Wave isn't just another Hunger Games facsimile.Carrie Savage (SFxTK) Please note: This name is Chinese "Ling" is a family name, not a given name the given name of this character is "Xiaoyu". It does bear similarities to The Hunger Games heroine Cassie Sullivan (Moretz) sets off on a quest to rescue her little brother, much as Katniss stepped in on Prim's behalf in the first Hunger Games installment, and the broader humanity-in-peril theme remains the same in both novels. Though The 5th Wave - based on Rick Yancey's novel of the same title - takes place in the present day, the alien invasion from which the film draws its name quickly renders all technology useless, provokes a biblical plague, and colonizes the minds of even the most innocent-looking humans. Just as the Hunger Games arena was set up as a clock, with different challenges arising each hour, the alien invasion of The 5th Wave arrives in five separate installments designed for maximal damage. For The 5th Wave isn't just another Hunger Games spinoff - if you're searching for a Suzanne Collins parallel, it's more like the Quarter Quell come to life, expanded across an entire planet.
Just look to Divergent with Shailene Woodley, or the upcoming Chloe Grace Moretz alien-invasion thriller The 5th Wave. But not all dystopias were created equal: The Hunger Games was among the first, and remains among the best, yet many of those that followed took different routes. Just as Twilight set off a trend of adolescent literature starring vampires - which then expanded to all supernatural beings - The Hunger Games kicked off a fad for futuristic dystopias starring young women-turned-saviors of humanity.
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